Nature and Creativity: The Science of “Soft Fascination” and How the Natural World Presses the Reset Button of the Brain’s Default Mode Network

“Our everyday experience does not prepare us to assimilate the gaping hugeness of the Grand Canyon or the crashing grandeur of Niagara Falls. We have no response at the ready; our usual frames of reference don’t fit.”

Nature and Creativity: The Science of “Soft Fascination” and How the Natural World Presses the Reset Button of the Brain’s Default Mode Network

“In the street and in society I am almost invariably cheap and dissipated, my life is unspeakably mean,” Thoreau wrote in contemplating nature as a form of prayer — a clarifying force for the mind and a purifying force for the spirit, a lever for opening up the psyche’s civilization-contracted pinhole of concerns.

A generation later, in a different corner of Massachusetts, William James pioneered the study of attention with his then-radical (at least to the Western mind) declamation: “My experience is what I agree to attend to.”

James distinguished between two kinds of attention: “voluntary,” in which we willfully aim our focus at a particular object or activity with concerted effort, and “passive,” which approximates the Eastern notion of mindfulness — an effortless noticing of sensations and phenomena as they naturally arise within and around us, our focus drifting by its own accord from one stimulus to another as they emerge. James listed this “passivity” as one of the four qualities of mystical experiences. But it is also the most direct valve between the mystical and the mundane — the type of attention that places us in our most creative states.

Aurora Borealis, observed March 1, 1872, 9:25 P.M.
One of Étienne Léopold Trouvelot’s pioneering astronomical paintings. Available as both a print or as stationery cards to benefit The Nature Conservancy.

In the epochs since James, scientists have termed this effortless attention “soft fascination.” It is at the root of our mightiest antidote to depression and our most generative mindsets, and it comes to us — or we to it — most readily in nature.

Whitman knew this as he was recovering from a paralytic stroke and observing how infallibly nature can “bring out from their torpid recesses, the affinities of a man or woman with the open air, the trees, fields, the changes of seasons — the sun by day and the stars of heaven by night.” He intuited what science has since measurably demonstrated — that these affinities hold the key to what is brightest and most creative in us, for they are at bottom affinities with the freest parts of ourselves.

In nature, we go unfettered from the world’s illusory urgencies that so easily hijack the everyday mind and syphon our attention away from its best creative contribution to that very world and its needs. When we surrender to “soft fascination,” we are not running from the world but ambling back to ourselves and our untrammeled multitudes, free to encounter parts of the mind we rarely access, free to acquaint different parts with one another so that entirely novel connections emerge.

Art by Margaret C. Cook from a rare English editionof Whitman’s Leaves of Grass. Available as a printed version.

Annie Murphy Paul devotes a portion of The Extended Mind: The Power of Thinking Outside the Brain (public library) — her wonderful inquiry into the art-science of thinking with the whole world — to the science of this peculiar and singularly fertile state of mind, into which communion with the non-human world deposits us:

Scientists theorize that the “soft fascination” evoked by natural scenes engages what’s known as the brain’s “default mode network.” When this network is activated, we enter a loose associative state in which we’re not focused on any one particular task but are receptive to unexpected connections and insights. Our minds are free to wander wherever our thoughts lead, as nature requires us not to make many decisions. Nature is also a pleasant distraction, which lifts our spirits without taking up all of our mental faculties. This positive emotion leads to broader and more open thinking. Here, active thoughts are able to mingle with brain’s deep memories, emotions, ideas and create inspiring collisions.

Zarathustra’s FriendsRockwell Kent, 1919. Available as both a printed copy and stationery cards.

“Soft fascination” has an active counterpart in another state we experience most readily in nature: awe — that ultimate instrument of unselfing.

Citing the work of the Berkeley psychologist Dacher Keltner — our epoch’s William James of awe — Paul writes:

[Keltner] calls it an emotion “in the upper reaches of pleasure and on the boundary of fear.”

Awe offers a completely new way of looking at the world. This is one of the most frightening aspects. It is not possible to fully absorb both the grandiosity of Grand Canyon and the majestic beauty of Niagara Falls from our everyday experiences. We have no response at the ready; our usual frames of reference don’t fit, and we must work to accommodate the new information that is streaming in from the environment.

The human animal is in awe regardless of their age, biometrics or identities. Its interleaving of pleasure and fear is at the heart of Virginia Woolf’s arresting account of a total solar eclipse, at the heart of the young Hans Christian Andersen’s climb of Vesuvius during an eruption, at the heart of the middle-aged Rachel Carson’s quiet, rapturous encounter with the moonlit tide, at the heart of what impelled Rockwell Kent toward “the cruel Northern sea with its hard horizons at the edge of the world where infinite space begins,” at the heart of “the overview effect” that staggers astronauts in orbit.

Total eclipse of the sun, observed July 29, 1878, at Creston, Wyoming Territory
Total eclipse of the sun by Étienne Léopold Trouvelot. This print is also available as stationery cards.

Paul wrote:

Keltner, along with other researchers, found that experiencing awe triggers predictable psychological changes. Preconceived ideas and stereotypes are less important. Our curiosity and openness increases. And we become more willing to revise and update our mental “schemas”: the templates we use to understand ourselves and the world. The experience of awe has been called “a reset button” for the human brain. But we can’t generate a feeling of awe, and its associated processes, all on our own; we have to venture out into the world, and find something bigger than ourselves, in order to experience this kind of internal change.

North WindRockwell Kent, 1919. Available as both a printed copy and stationery cards.

This is not surprising, since even those who aren’t religious can find spirituality in these states. This reset button is what would allow us to see the purpose of our lives and look at a dandelions.

Giving = Being Loving

Since a decade and a half I’ve been writing for hundreds of hours each month, spending thousands of dollars every month. MarginalianThe magazine, which bore for fifteen years the unsettling name Brain Pickings. Thanks to the support of readers, it has been free from ads and still exists. I have no staff, no interns, no assistant — a thoroughly one-woman labor of love that is also my life and my livelihood. Donations are a great way to make your life better. It makes a huge difference to support this cause.

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